1. Part 1: Fly 15:44
2. Part 2: Bee 22:53
3. Part 3: Ant 01:26
4. Part 4: Bug 06:28
5. Part 5: Bee+ 18:21
à propos
« Third and final release in the ‘Music for spectacles’ series by Velma B. Landovitch, the more ambient/abstract side project of the Lausanne, Switzerland band Velma. Final release, and surely the best. This release explores more rhythmic patterns built up with loops, digital and abstract sounds, computer manipulations, drones, cold and enigmatic atmospheres, computer saturations, frequencies, electronic reverberated ambiences, beautiful abrasive abstract computer landscapes, with sometimes a distant voice which comes into the electronic loops mixed with far abstract-computer cold atmospherics, while some discreet enigmatic guitar notes meet low abstract sound frequencies looped to create repetitive sounds landscapes. All these superposing themselves maybe in the way that Steve Reich does minimal music to create kinds of intense and dynamic movements. Definitely a very innovative and intelligent work, electronic-experimental music with a minimal/evolutive and clever approach, in always changing and evolving and keeping entertaining. A monument of original ideas and sounds put together in a brilliant way. »
Forced exposure
paru le 26 septembre 1962
all tracks by Velma (Christian Garcia-Gaucher, Christophe Jaquet, Stéphane Vecchione).
Produced, recorded and mixed at Studio du Pressoir.
Mastered by Julien Grandjean at Fullrange Studio.
Sleeve design by C. Garcia-Gaucher
